This month was a good one. I liked April’s book a lot.
After Dark by Haruki Murakami [4/5 stars]
From the opening lines, I am struck at the readability of this book. The prose guides the reader through with careful fluidity. We as the audience are addressed as an observer as if we’re watching a film. In fact, the way he describes scenes is through the lens of an imagined camera as it moves through the spaces in the book. It’s like we’re being watched while watching. It’s very self-aware and less jarring than it sounds. It works by giving the book a very cinematic feel. I often felt as though I was watching a translation of a film onto the page, the various scenes para-real, film-like.
Set in Tokyo, the book focuses on a cast of characters over the course of one night as the title indicates: after dark. They all have their own problems and backstories that develop as time moves on. What’s made clear are the divisions of reality that come to the fore in the night, inner darkness—violence, ill intent—that can hide in the pureness of day but is exposed at night. Like occupying a different world. There are some surreal elements as well which I enjoyed.
What I loved as well is the idea of people as both individuals but part of a whole, like cells in a body of the city. Very enjoyable stuff.
Also, of course we have Murakamisms in abundance: the quiet, unassuming protagonist, characters with serious/mysterious backstories, jazz, etc. No talking animals or weird sex scenes though.
The Iron Ghost by Jen Williams [4/5 stars]
This was plain and simple an improvement of the first book in the sequence of the Copper Cat: it tightens the focus of the book to one setting and the consequences that develop over the course of it. A surprising amount of stuff is covered over the course of this second volume which I’m uncertain if I liked or not. I experienced a bit of a lull in the middle but it was for the most part fun and inventive in just the right amount. I do wish that the antagonist was a.) not spoiled in the blurb (!!!!!!) and b.) a bit more fleshed out. Their defeat was fairly underwhelming, I have to admit. Otherwise, though, I was very pleased with how much better it was. Williams clearly knows how to build a world and make you care about the cast.
Also, I love how things fit together without relying too much of the previous book. It definitely deepens the experience by starting from the first book but I could easily see a new reader starting here with little difficulty.
Franny & Zooey by J.D. Salinger [4/5 stars]
A short story and novella concerning the Glass family focusing on the eponymous characters, respectively. I said in a earlier review of this but I felt like I was reading a play or the script for a film (that makes two books this time around!). This for me is more a treatise arguing for authenticity in life and spirit. The way the ideas develop mostly through prose, conversations between speakers that are out of sync with one another. The methods of communication was very naturalistic to me (although the use of italics felt overused in a lot of cases—also what’s up with Zooey’s rudeness to his mom? Man. Learn some respect, haha), characters sorting through problems in a believable way (and pace), hence why I thought film/play. The translation could be pretty easy, I think.
I don’t think it’s for everyone but man did I learn a thing or two from it, both as a writer and as a person. For a lot of people, Salinger might seem to didactic, in your face with the Lesson of the book but I genuinely felt a hardened of my spirit when I was done. I think I want to re-read Catcher now.
I’m also pleased to learn that the Glass family is a saga so I’ll jump into that next story when I can.
(Interestingly I caught the influence Salinger had on David Foster Wallace with the Glass family. It’s interesting to see the links between authors I think.)